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Magwood on Books

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Archive for the ‘International’ Category

The Magwood on Books podcast with Arundathi Roy

It’s been 20 years since Arundathi Roy’s The God of Small Things. Here she discusses her new novel, The Ministry of Utmost Happiness, the themes of injustice in her work, and the power of fiction.

 
 

The God of Small Things

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The Ministry of Utmost Happiness


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The Magwood on Books podcast with Paula Hawkins

Paula Hawkins, author of the best-selling The Girl on the Train, discusses her new novel, Into the Water, the significance of water, family relationships, and writing relatable characters.

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The Girl on the Train

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Into the Water


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The Magwood on Books podcast with Paul Auster

American novelist Paul Auster on his latest epic novel, 4 3 2 1, the unexpected, human possibility, autobiographical references in books, and the adventure of the unknown when writing fiction.

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4 3 2 1

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The Magwood on Books podcast with John Boyne

John Boyne’s new novel The Heart’s Invisible Furies chronicles the life of a gay man in Dublin. Here he talks about the hypocrisy of the Catholic church, his determination to write strong female characters and how his deadpan humour serves the story.

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The Heart's Invisible Furies

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The Magwood on Books podcast with Fiona Melrose

MidwinterDebut author Fiona Melrose talks to Michele Magwood about her heartbreaking novel Midwinter and how her dyslexia shaped her ear for dialogue.

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The Magwood on Books Podcast: Phil Collins on his autobiography, Not Dead Yet

Not Dead YetPhil Collins looks back on an astounding career in his autobiography Not Dead Yet, from a dull suburban upbringing to the rare heights of superstardom.

He’s a surprisingly humble man:

I’m a musician. I got a chance to play with a few great people and that’s all I wanted to do. To play. Whether I was a pop star or not was irrelevant.

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Notes from Lyon: Observations on the Quais du Polar festival

Quais du Polar

 

First published in the Sunday Times

She had henna in her hair and, it seemed, on her lower incisors. Her husband had on a leather jacket and what appeared to be a snatch of a sheepskin car seat cover on his head. He looked like a woolly butcher. They had travelled to Lyon from Nice, they said, as part of an “association”, a fan club, for James Lee Burke. There was to be a video link-up with him in the States and the association didn’t miss any opportunity to hear their hero. They’d even travelled to Louisiana once to visit the sites of his Dave Robicheaux novels.

Such are the fans who stream into the city for the annual Quais du Polar festival – just on 80 000 this year. “Polar” is the French idiom for crime writing and the genre is huge there. Dozens of panel discussions, exhibitions and film screenings are spread out across the town centre between the Saône and Rhône rivers. At the famous police academy, French CSI officers mocked up a crime scene and invited the public to watch them “work” it. On the Saturday, scores of fans spent the morning criss-crossing the city following clues to solve a murder mystery.

The venues for the events are splendid. The Opéra, the city hall, the 17th-century Chapelle de la Trinité are buildings of ravishing beauty, filled with luminous paintings and blazing chandeliers. The heart of the festival is the vast marble hall of the Chambre de Commerce, where independent booksellers set up their stands. The featured writers are divided up between the stands for all-day signings, and this is what people love most about QdP: the access to authors.

Quais du Polar
Quais du Polar

 
The Paris book festival, I was told, is bigger but expensive and snobby. Here authors endlessly sign, chat and pose for selfies. Here’s Jo Nesbo, slight and goateed; Anthony Horowitz; a mad-haired Sophie Hannah and, over there, under an ornate statue, Deon Meyer is being genteelly mobbed. Franck Thilliez, who slipped quietly into the Franschhoek festival last year, is a rock star at home, surrounded everywhere he walks by beaming fans. There are lesser-known gems to be found, too. Nigerian author Leye Adenle was sharp on panel discussions, as was Gabonese author Janis Otsiemi and South African writer Michéle Rowe who was dubbed, naturally, “the new Deon Meyer”.

With simultaneous translation at every event, there were no barriers. Publishers talked about finding new talent: “We publish authors, not books . Find a writer and gradually build their career.” Translators described their difficulties: “Get a word wrong and it is like a grain of sand in an engine. It will ruin the narrative.”

One of the panel discussions turned to the depressingly universal problem of the Youth and Reading and the encouragement thereof. A teacher took her pupils on a river rafting trip with an author, said one panellist. Another suggested slam sessions of classic works. In front of me a young woman was bent over her cellphone, intent on taking notes on the session. I looked closer and saw, instead, that she was on Tinder. Plus ça change, as they say.

Follow Michele Magwood on Twitter @michelemagwood

Magwood was a guest of the French Institute of South Africa and the Quais du Polar Festival


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The Magwood on Books Podcast: Yann Martel talks about his new novel, The High Mountains of Portugal

The High Mountains of Portugal“People who have no stories, either religious or artful, are deeply miserable people.” – Yann Martel

In this podcast, Yann Martel talks about his new novel The High Mountains of Portugal, a story about solace, grace and the divinity of animals.

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The Magwood on Books Podcast: Sally Andrew chats about her runaway hit Recipes for Love and Murder

Recipes for Love and Murder: A Tannie Maria Mystery“I like cosy murder mysteries. I struggle with the sex and violence of current crime books.” – Sally Andrew

In this Magwood on Books Podcast, this debut author talks about her delightful Karoo novel Recipes For Love And Murder.

Read: Comfort reading: Michele Magwood reviews Sally Andrew’s debut novel, Recipes for Love and Murder: A Tannie Maria Mystery

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The Magwood On Books Podcast: Sebastian Faulks Talks About His New Novel, Where My Heart Used to Beat

Where my Heart Used to Beat“The human genome is unstable – we’re prone to going mad.” – Sebastian Faulks

In the podcast, Faulks talks about the themes of his new novel Where my Heart Used to Beat, and about his process of writing: “I wrote the first few pages 30 or 40 times to get it right.”

 

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